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"The Hymn of Joy" [1] (often called "Joyful, Joyful We Adore Thee" after the first line) is a poem written by Henry van Dyke in 1907 in being a Vocal Version of the famous "Ode to Joy" melody of the final movement of Ludwig van Beethoven's final symphony, Symphony No. 9.
The chorale occurs twice in the cantata, with different texts each time (neither of which matches the English): as its sixth movement, Wohl mir, dass ich Jesum habe (It is well for me that I have Jesus), and again as its tenth movement, Jesus bleibet meine Freude (Jesus Remains My Joy). The English title derives from famous piano transcriptions ...
"Ode to Joy" (German: "An die Freude" [an diː ˈfʁɔʏdə]) is an ode written in the summer of 1785 by German poet, playwright, and historian Friedrich Schiller. It was published the following year in the German magazine Thalia. In 1808, a slightly revised version changed two lines of the first stanza and omitted last stanza.
" Jesu, meine Freude" ([ˈjeːzu ˈmaɪnə ˈfʁɔʏdə]; Jesus, my joy) is a hymn in German, written by Johann Franck in 1650, [1] with a melody, Zahn No. 8032, by Johann Crüger. The song first appeared in Crüger's hymnal Praxis pietatis melica in 1653. The text addresses Jesus as joy and support, versus enemies and the vanity of existence.
The music of the chorale movements is now best known for the piano transcription by Dame Myra Hess of Hugh P. Allen's choral version of Bach's arrangement, and is notable under the title Jesu, Joy of Man's Desiring, [28] an inexact translation that transforms the original affirmation ("Jesus remains my joy") into a wish. [29]
After Schiller's death, the poem provided the words for the choral movement of Ludwig van Beethoven's 9th Symphony. In 1971 the Parliamentary Assembly of the Council of Europe decided to propose adopting the prelude to the "Ode to Joy" from Beethoven's 9th Symphony as the anthem, taking up a suggestion made by Richard von Coudenhove-Kalergi in ...
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