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Contrast is the difference in luminance or color that makes an object (or its representation in an image or display) visible against a background of different luminance or color. [1] The human visual system is more sensitive to contrast than to absolute luminance; thus, we can perceive the world similarly despite significant changes in ...
The "luminance contrast" is the ratio between the higher luminance, L H, and the lower luminance, L L, that define the feature to be detected.This ratio, often called contrast ratio, CR, (actually being a luminance ratio), is often used for high luminances and for specification of the contrast of electronic visual display devices.
The appearance correlates of CIECAM02, J, a, and b, form a uniform color space that can be used to calculate color differences, as long as a viewing condition is fixed. A more commonly-used derivative is the CAM02 Uniform Color Space (CAM02-UCS), an extension with tweaks to better match experimental data. [10]
The display computer may use a color management engine to convert to a different color space (such as older Macintosh's γ = 1.8 color space) before putting pixel values into its video memory. The monitor may do its own gamma correction to match the CRT gamma to that used by the video system.
An LCD technology is dynamic contrast (DC), also called advanced contrast ratio (ACR), and smart contrast ratio (SCR [4]) and various other designations.When there is a need to display a dark image, a display that supports dynamic contrast underpowers the backlight lamp (or decreases the aperture of the projector's lens using an iris), but proportionately amplifies the transmission through the ...
The CRI is calculated by comparing the color rendering of the test source to that of a "perfect" source, which is a black body radiator for sources with correlated color temperatures under 5000 K, and a phase of daylight otherwise (e.g., D65).
Often the contrast reduction is of most interest and the translation of the pattern can be ignored. The relative contrast is given by the absolute value of the optical transfer function, a function commonly referred to as the modulation transfer function (MTF). Its values indicate how much of the object's contrast is captured in the image as a ...
Colors are determined by the proportional excitation of these three cone types, i.e. their quantum catch. The levels of excitation of each cone type are the parameters that define LMS color space. To calculate the opponent process tristimulus values from the LMS color space, the cone excitations must be compared: [citation needed]