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A cento is a poetic work composed of verses or passages taken from other authors and re-arranged in a new order. This poem reworks verses extracted from the work of Virgil to tell stories from the Old and New Testament of the Christian Bible. Much of the work focuses on the story of Jesus Christ.
"Because I could not stop for Death" is a lyrical poem by Emily Dickinson first published posthumously in Poems: Series 1 in 1890. Dickinson's work was never authorized to be published, so it is unknown whether "Because I could not stop for Death" was completed or "abandoned". [1] The speaker of Dickinson's poem meets personified Death. Death ...
The Roman emperor Constantine the Great was one of the first major figures to believe that Eclogue 4 was a pre-Christian augury concerning Jesus Christ. [9]According to Classicist Domenico Comparetti, in the early Christian era, "A certain theological doctrine, supported by various passages of [Judeo-Christian] scripture, induced men to look for prophets of Christ among the Gentiles". [10]
A Christ figure, also known as a Christ-Image, is a literary technique that the author uses to draw allusions between their characters and the biblical Jesus.More loosely, the Christ figure is a spiritual or prophetic character who parallels Jesus, or other spiritual or prophetic figures.
The next earliest example is by an anonymous author, probably of the 1st century BCE, lamenting the death of Bion; this poem has sometimes been attributed to the Hellenistic poet Moschus. [ 8 ] Virgil's "Eclogue 5," written in the 1st century BCE, is the most imitated ancient model of the pastoral elegy.
The Poem of the Man-God (Italian title: Il Poema dell'Uomo-Dio) is a work on the life of Jesus Christ written by Maria Valtorta. The current editions of the work bear the title The Gospel as Revealed to Me. The work was first published in Italian in 1956 and has since been translated into many languages.
In Catholic philosophy, merit is a property of a good work which entitles the doer to receive a reward: it is a salutary act (i.e., "Human action that is performed under the influence of grace and that positively leads a person to a heavenly destiny") [4] to which God, in whose service the work is done, in consequence of his infallible promise may give a reward (prœmium, merces).
Christ II, also called The Ascension, is one of Cynewulf's four signed poems that exist in the Old English vernacular. It is a five-section piece that spans lines 440–866 of the Christ triad in the Exeter Book (folios 14a-20b), and is homiletic in its subject matter in contrast to the martyrological nature of Juliana, Elene, and Fates of the Apostles.