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  2. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    The chord progression is also used in the form IV–I–V–vi, as in songs such as "Umbrella" by Rihanna [5] and "Down" by Jay Sean. [6] Numerous bro-country songs followed the chord progression, as demonstrated by Greg Todd's mash-up of several bro-country songs in an early 2015 video. [7]

  3. Three-chord song - Wikipedia

    en.wikipedia.org/wiki/Three-chord_song

    A common type of three-chord song is the simple twelve-bar blues used in blues and rock and roll. Typically, the three chords used are the chords on the tonic, subdominant, and dominant (scale degrees I, IV and V): in the key of C, these would be the C, F and G chords. Sometimes the V 7 chord is used instead of V, for greater tension.

  4. List of chord progressions - Wikipedia

    en.wikipedia.org/wiki/List_of_chord_progressions

    IV-V-I-vi chord progression in C major: 4: Major ... DOG EAR Tritone Substitution for Jazz Guitar, Amazon Digital Services, Inc., ASIN: B008FRWNIW. See also.

  5. The Axis of Awesome - Wikipedia

    en.wikipedia.org/wiki/The_Axis_of_Awesome

    After the Edinburgh festival, the Axis of Awesome's song "4 Chords", a medley of 36 pop songs that all contain the same basic chord structure, received airplay on BBC Radio 1. [3] This airplay drove listeners to the internet and "4 Chords" went viral, receiving millions of views on YouTube.

  6. Chord progression - Wikipedia

    en.wikipedia.org/wiki/Chord_progression

    Some pop and rock songs from the 1980s to the 2010s have fairly simple chord progressions. Funk emphasizes the groove and rhythm as the key element, so entire funk songs may be based on one chord. Some jazz-funk songs are based on a two-, three-, or four-chord vamp. Some punk and hardcore punk songs use only a few chords.

  7. '50s progression - Wikipedia

    en.wikipedia.org/wiki/'50s_progression

    The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...

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