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A key light of 800 footcandles and a fill light of 200 footcandles has a ratio of 5:1 according to the lighting ratio formula — (800 + 200):200 = 1000 / 200 = 5 : 1. The ratio can be determined in relation to F stops since each increase in f-stop is equal to double the amount of light: 2 to the power of the difference in f stops is equal to ...
The commander unit usually controls the remote flashes by using flashes of visible or infrared light, although TTL-capable radio triggering systems are available. The photographer can normally vary the light ratios between the different flashes. The technique of using preflashes to get a proper exposure is still used in automatic flash modes.
In some cases, ambient light may be used as a fill, in which case additional lighting provides the stronger light source, for example in bounce flash photography. The relative intensity of ambient light and fill light is known as the lighting ratio , an important factor in calculating contrast in the finished image.
In photography, the sunny 16 rule (also known as the sunny f /16 rule) is a method of estimating correct daylight exposures without a light meter. Apart from the advantage of independence from a light meter, the sunny 16 rule can also aid in achieving correct exposure of difficult subjects.
In a scene with strong or harsh lighting, the ratio between highlight and shadow luminance values may well be larger than the ratio between the film's maximum and minimum useful exposure values. In this case, adjusting the camera's exposure settings (which only applies changes to the whole image, not selectively to parts of the image) only ...
The left half shows the photo as it came from the digital camera. The right half shows the photo adjusted to make a gray surface neutral in the same light. In photography and image processing, color balance is the global adjustment of the intensities of the colors (typically red, green, and blue primary colors). An important goal of this ...
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Low-key lighting is a style of lighting for photography, film or television. It is a necessary element in creating a chiaroscuro effect. [ 1 ] Traditional photographic lighting ( three-point lighting ) uses a key light , a fill light and a back light for illumination.
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