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"Left of Center" is a song written by Suzanne Vega and Steve Addabbo [2] which was released as part of the soundtrack to the 1986 film Pretty in Pink. It features Joe Jackson on piano and was released as a single in May 1986, reaching No. 35 in Australia , No. 28 in Ireland , and No. 32 in the United Kingdom .
"Don't the Girls All Get Prettier at Closing Time" is a song written by Baker Knight, and recorded by American country music artist Mickey Gilley. It was released in January 1976 as the first single from the album Gilley's Smokin. The song was Gilley's fifth No. 1 on the Billboard Hot Country Singles chart. The song's one week atop the chart ...
The ChordPro (also known as Chord) format is a text-based markup language for representing chord charts by describing the position of chords in relation to the song's lyrics. ChordPro also provides markup to denote song sections (e.g., verse, chorus, bridge), song metadata (e.g., title, tempo, key), and generic annotations (i.e., notes to the ...
Besides the dominant seventh chords discussed above, other seventh chords—especially minor seventh chords and major seventh chords—are used in guitar music. Minor seventh chords have the following fingerings in standard tuning: Dm7: [XX0211] Em7: [020000] Am7: [X02010] Bm7: [X20202] F ♯ m7: [202220] or ([XX2222] Also an A/F ♯ Chord)
A cover version by Nada Surf was used on an episode of The O.C. It is played as a tribute to the John Hughes film Pretty in Pink where the original OMD version of the song appeared. It was released on Music from the OC: Mix 2 .
A lead sheet may also specify an instrumental part or theme, if this is considered essential to the song's identity. For example, the opening guitar riff from Deep Purple's "Smoke on the Water" is a part of the song; any performance of the song should include the guitar riff, and any imitation of that guitar riff is an imitation of the song ...
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The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
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