Search results
Results from the WOW.Com Content Network
In 1965, Fred Gastoff invented the vinyl pom-pom, which was introduced into competitions by the International Cheerleading Foundation (ICF, now the World Cheerleading Association, or WCA). Organized cheerleading competitions began to pop up with the first ranking of the "Top Ten College Cheerleading Squads" and "Cheerleader All America" awards ...
Pom-pom, also called a pom or cheerleading pom, is derived from the French word pompon, which refers to a small decorative ball made of fabric or feathers.It also means an "ornamental round tuft" and originally refers to its use on a hat, or an "ornamental tuft; tuft-like flower head."
Lawrence Russell Herkimer (October 14, 1925 – July 1, 2015) was an American innovator in the field of cheerleading.He created the Herkie cheerleading jump, which was named after him, and received a patent for the pom-pom.
The flyer, also known as "top girl", is the athlete who is lifted into the air during a stunt or pyramid. Since many of the body positions a flyer can perform require a high level of flexibility, this is a desired trait for the role.
Cheerleading uniforms have changed over the years, both in form and style. (Baldwin Wallace University)A cheerleading uniform is a standardized outfit worn by cheerleaders during games and other events.
The Herkie cheerleading jump is named after Herkimer, for which he performed the same jump with a right punch motion in the air.. The herkie (aka hurkie) is a cheerleading jump named after Lawrence Herkimer, the founder of the National Cheerleaders Association and former cheerleader at Southern Methodist University.
Paid bids are only offered to cheerleading teams for the Cheerleading Worlds portion of the event. For cheerleading teams, a paid bid is designed to cover all competition expenses, including lodging, transportation and registration fees to compete, up to a maximum of $650 per athlete, and for up to two coaches. [12]
Dancer George Holmes performing jazz hands, 1963. Jazz hands in performance dance is the extension of a performer's hands with palms toward the audience and fingers splayed. . This position is also referred to as webbi