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Shakespeare's Lost Play, Edmund Ironside, 1986. The Real Shakespeare: Retrieving the Early years, 1564-1594, 1995. Shakespeare's Edward III: An Early Play Restored to the Canon, 1996. The Songs of Johannes Brahms, 2000. Essays and reviews on music, Shakespeare, and cryptography, 1966-1998, online edition in the web-pages of the Centro Studi ...
A Contour Canon can be recognized in the traditional sense, similar to a strict canon or to a canon by inversion, where an original theme or design is presented, and is then followed by a response of the same theme, as well as in an untraditional fashion, where Subcontouric Cells are positioned in such a way that they assemble a canon.
Roger Quilter ca. 1922. Roger Cuthbert Quilter (1 November 1877 – 21 September 1953) was a British composer, known particularly for his art songs.His songs, which number over a hundred, often set music to text by William Shakespeare and are a mainstay of the English art song tradition.
The Western canon is the embodiment of high-culture literature, music, philosophy, and works of art that are highly cherished across the Western world, such works having achieved the status of classics. Recent discussions upon the matter emphasise cultural diversity within the canon.
Henry Purcell (/ ˈ p ɜːr s əl /, rare: / p ər ˈ s ɛ l /; [n 1] c. 10 September 1659 [n 2] – 21 November 1695) was an English composer of Baroque music, most remembered for his more than 100 songs; a tragic opera, Dido and Aeneas; and his incidental music to a version of Shakespeare's A Midsummer Night's Dream called The Fairy Queen.
William Shakespeare [a] (c. 23 [b] April 1564 – 23 April 1616) [c] was an English playwright, poet and actor.He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist.
In music, a catch is a type of round or canon at the unison. That is, it is a musical composition in which two or more voices (usually at least three) repeatedly sing the same melody, beginning at different times. Generally catches have a secular theme, though many collections included devotional rounds and canons.
Vaughan Williams was engaged to write incidental music at Stratford between 1912 and 1913. Rosabel Watson directed and arranged music for many productions at Stratford and elsewhere. [3] A Shakespeare Music Catalogue (1991) lists over 20,000 items of theatrical and non-theatrical music associated with Shakespeare, much of it unpublished. [4]