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A new factory was built in Noritake, near Nagoya (now Noritake-shinmachi, Nishi-ku, Nagoya, Aichi). In 1914 the company succeeded in creating their first Western style dinner set, called "Sedan", to compete with European porcelain companies. [3] [4] Nippon Toki wares were mostly aimed at the European Market. This forerunner of the modern ...
In Japanese woodblock printing, urushi-e generally refers to a hand-painted technique. Instead of printing with urushi (natural lacquer) it was painted on by hand. This meant that urushi-e pictures could be more colorful than most block prints of the time. [3]
Writing lacquer box with Irises at Yatsuhashi, by Ogata Kōrin, Edo period (National Treasure) Inro in maki-e lacquer, Edo period, 18th century. Lacquerware (漆器, shikki) is a Japanese craft with a wide range of fine and decorative arts, as lacquer has been used in urushi-e, prints, and on a wide variety of objects from Buddha statues to bento boxes for food.
The company was founded in 1881 by Jujiro Motegi under the name Komyosha (Yamato Jujiro Shoten). In 1898, the company was incorporated and renamed Nippon Paint Manufacturing and in 1927 the company's name was changed to Nippon Paint. [5] In 1954, Nippon Paint established a 50/50 joint venture with Bee Chemical. In 2006, it became a wholly owned ...
Lacquerware includes small or large containers, tableware, a variety of small objects carried by people, and larger objects such as furniture and even coffins painted with lacquer. Before lacquering, the surface is sometimes painted with pictures, inlaid with shell and other materials, or carved .
Technology and styles evolved. The decoration of some hand-painted plates and vases from the 19th century resembles oil paintings. In the later part of the 19th century china painting became a respectable hobby for middle-class women in North America and Europe. More recently interest has revived in china painting as a fine art form.
Lacquerware is a longstanding tradition in Japan [6] [7] and, at some point, kintsugi may have been combined with maki-e as a replacement for other ceramic repair techniques. . While the process is associated with Japanese craftsmen, the technique was also applied to ceramic pieces of other origins including China, Vietnam, and Kor
Most scholars date satsuma ware's appearance to the late sixteenth [1] or early seventeenth century. [2] In 1597–1598, at the conclusion of Toyotomi Hideyoshi's incursions into Korea, Korean potters, which at the time were highly regarded for their contributions to ceramics and the Korean ceramics industry, were captured and forcefully brought to Japan to kick-start Kyūshū's non-existent ...