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  2. Structure of Handel's Messiah - Wikipedia

    en.wikipedia.org/wiki/Structure_of_Handel's_Messiah

    Scene 2: "The prophecy of the coming of Messiah and the question, despite (1), of what this may portend for the World" (movements 5–7) Scene 3: "The prophecy of the Virgin Birth" (movements 8–12) Scene 4: "The appearance of the Angels to the Shepherds" (movements 13–17) Scene 5: "Christ's redemptive miracles on earth" (movements 18–21 ...

  3. May Singhi Breen - Wikipedia

    en.wikipedia.org/wiki/May_Singhi_Breen

    Her earliest known credit for a ukulele arrangement was in 1917, [8] but her arrangements began to appear in large numbers in 1923. Breen issued the first recorded ukulele lesson, a 78 rpm record entitled Ukulele Lesson that came with the Peter Pan Uke Method book, which gave a 6-minute ukulele tutorial on the Victor Label. [9]

  4. Messiah Part II - Wikipedia

    en.wikipedia.org/wiki/Messiah_Part_II

    Messiah is not a typical Handel oratorio; there are no named characters, as are usually found in Handel's setting of the Old Testament stories, possibly to avoid charges of blasphemy. It is a meditation rather than a drama of personalities, lyrical in method; the narration of the story is carried on by implication, and there is no dialogue.

  5. Messiah Part III - Wikipedia

    en.wikipedia.org/wiki/Messiah_Part_III

    Messiah is not a typical Handel oratorio; there are no named characters, as are usually found in Handel’s setting of the Old Testament stories, possibly to avoid charges of blasphemy. It is a meditation rather than a drama of personalities, lyrical in method; the narration of the story is carried on by implication, and there is no dialogue.

  6. Opinion: Athletes will come to regret their 'Trump dance ...

    www.aol.com/opinion-athletes-come-regret-trump...

    Athletes doing "Trump dance" celebrations should think about what, exactly, they're glorifying.

  7. Messiah Part I - Wikipedia

    en.wikipedia.org/wiki/Messiah_Part_I

    Messiah is not a typical Handel oratorio; there are no named characters, as are usually found in Handel’s setting of the Old Testament stories, possibly to avoid charges of blasphemy. It is a meditation rather than a drama of personalities, lyrical in method; the narration of the story is carried on by implication, and there is no dialogue.

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