Search results
Results from the WOW.Com Content Network
An ornate guitar made by a Joakim Thielke (1641–1719) of Germany was altered in this way and became a success. From the mid-18th century through the early 19th century, the guitar evolved into a six-string instrument, phasing out courses by preference to single strings. These six-string guitars were still smaller than the modern classical guitar.
In its most developed form, the vihuela was a guitar-shaped instrument with six double-strings (paired courses) made of gut. Vihuelas were tuned identically to their contemporary Renaissance lute; 4ths and one major 3rd (44344, almost like a modern guitar tuning, with the exception of the third string, which was tuned a semitone lower).
They were vihuelas in Spain. Vihuela eventually became a large guitar-like instrument of the Renaissance. Violas remained small. The name viola has been reused for a variety of instruments including viola da gamba, viola (a modern fiddle). 1175 A.D., Rylands Beatus 1125-1150, Zwiefalten Passionale. Small figure-8 guitar at far right.
The guitar, which had so far been tuned in re-entrant tuning (e' - b - g - d' - a), took over the 6th course and the tuning of the mandora (e' - b - g - d - A - G, later also e' - b - g - d - A - E), whereas the mandora took over the stringing with single strings instead of courses, as had been introduced to the guitar. The so-called ...
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Pages for logged out editors learn more
The clavichord is an example of a period instrument.. In the historically informed performance movement, musicians perform classical music using restored or replicated versions of the instruments for which it was originally written.
Examples of lutes converted into guitars exist in several museums, while purpose-built instruments like the gallichon utilised the tuning and single string configuration of the modern guitar. A tradition of building round-backed guitars in Germany continued to the 20th century with names like Gittar-Laute and Wandervogellaute.
The predecessor of the Venezuelan cuatro is the four-string Spanish renaissance guitar which disappeared in the 16th century after a short period of surging popularity. In the 1950s, Fredy Reyna documented the evolution of the renaissance guitar into the current Venezuelan Cuatro, and reinvented the cuatro as a solo instrument, equally capable ...