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As the Renaissance garden evolved into Mannerism, water features became more elaborate. In addition to water basins and flooded caves, fountains, cascades, and playful water features, such as joke fountains that would surprise visitors by splashing them when stepping on a specific floor slab, were created to provide unexpected effects.
Directly above and supplying the water for the fountain is the catena d'acqua or chain of water, a water feature (gioco d'acqua) that can be seen in other 16th-century gardens (such as the Villa Farnese and Villa d'Este); this rill of small basins allows the water to ripple down to arrive at the fountain between the sculpted crayfish claws, a ...
Gardens of the Château de Villandry View of the Diane de Poitiers' garden at the Château de Chenonceau Medici Fountain in the Jardin du Luxembourg, Paris. Gardens of the French Renaissance were initially inspired by the Italian Renaissance garden, which evolved later into the grander and more formal jardin à la française during the reign of Louis XIV, by the middle of the 17th century.
Designed in 1996 by landscape architect Kathryn Gustafson and Ian Ritchie (architect), it uses thirteen tableaux to present the myths and legends of the history of gardens; the axis of winds; perspectives; elementary gardens; the sacred wood; the tunnel of vegetation; the theater of greenery; the water garden; the terraces of moss; the topiary ...
The garden is intended to be perceived by the visitor as a diversely created area. [8] The outcome was a formal garden. Lutyens got ideas from different time periods for this garden's style. For instance, the idea of a square, well-structured lower area with terraces along the sides and higher up was seen in the 16th and 17th centuries. [8]
Gardens of the Villa Aldobrandini (1598). The Italian Renaissance garden was a new style of garden which emerged in the late 15th century at villas in Rome and Florence, inspired by classical ideals of order and beauty, and intended for the pleasure of the view of the garden and the landscape beyond, for contemplation, and for the enjoyment of the sights, sounds and smells of the garden itself.
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