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[3] [6] Both believe Dürer produced the drawing as a study for his 1506 watercolor, The Virgin with a Multitude of Animals. [6] Fritz Koreny, a former curator at the Albertina and a current researcher at the Institute for Art History at the University of Vienna, attributes the drawing to Hans Baldung. [1] Baldung was a student of Dürer.
Pen drawing in Indian ink and watercolor on paper. Head of a Walrus (German: Kopf eines Walrosses) is a 1521 pen drawing painted in watercolour by the German artist Albrecht Dürer, now in the British Museum, London. [1] At the time the walrus' main European population was around Scandinavia, and they were exotic to inland Europeans.
The Complete Engravings, Etchings and Drypoints of Albrecht Durer. Mineola NY: Dover Publications, 1973. ISBN 0-486-22851-7; Borchert, Till-Holger. Van Eyck to Dürer: The Influence of Early Netherlandish painting on European Art, 1430–1530. London: Thames & Hudson, 2011. ISBN 978-0-500-23883-7; Wolf, Norbert. Albrecht Dürer. Cologne ...
Self-Portrait at the age of 13 (the title is modern) is a silverpoint drawing by Albrecht Dürer, dated 1484, when the artist was either twelve or thirteen years of age. It is now in the Albertina museum, Vienna , where it arrived, via the collections of the Imhoff family in Nuremberg and the Habsburg collections, from Dürer's own literary and ...
On the drawing's margin, he noted: "Is the emperor Maximilian that I Albrecht Dürer portrayed in Augsburg, up in the high palace, in his small room, Monday 28 June 1518". The oil panel was completed when the emperor had already died, with some variants from the initial drawing. The latter is now housed in the Albertina, Vienna.
New York, Metropolitan Museum of Art : 147 Portrait of Jakob Fugger the Wealthy: c. 1520 —p [41] Tempera on canvas (Tüchlein) 69.4 × 53: Augsburg, Staatsgalerie Altdeutsche Meister, Bavarian State Painting Collections : 143 Portrait of Emperor Maximilian I of Habsburg: 1519 — Tempera on canvas: 83 × 65
Melencolia I, Albrecht Dürer, engraving, 1514. The art historian Christa Grössinger described the drawing as the "most affecting of all" of Dürer's portraits. [9] David Price wrote of its "rough depiction of her flesh emaciated by old age", and "existential piety in the cast of Barbara Dürer's right eye, which, almost unnaturally, directs her vision heavenward."
The Great Piece of Turf [1] (German: Das große Rasenstück) is a watercolor painting by Albrecht Dürer created at his Nuremberg workshop in 1503. It is a study of a seemingly unordered group of wild plants, including dandelion and greater plantain. The work is considered one of the masterpieces of Dürer's realistic nature studies.