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Comparative musicology is known as the cross-cultural study of music. [9] Once referred to as "Musikologie", comparative musicology emerged in the late 19th century in response to the works of Komitas Keworkian (also known as Komitas Vardapet or Soghomon Soghomonian.) [10] A precedent to modern ethnomusicological studies, comparative musicology seeks to look at music throughout world cultures ...
Ethnomusicology (from Greek ἔθνος ethnos ‘nation’ and μουσική mousike ‘music’) is the multidisciplinary study of music in its cultural context, investigating social, cognitive, biological, comparative, and other dimensions involved other than sound.
Music archaeology is an interdisciplinary field with multifaceted approaches, [6] falling under the cross section of experimental archaeology and musicology research. [7] Music archaeology research aims to understand past musical behaviors; this may be done through methods such as recreating past musical performances, or reconstructing musical instruments from the past.
Some of the intellectual products of music historians include peer-reviewed articles in journals, university press-published music history books, university textbooks, new editions of musical works, biographies of composers and other musicians, studies of the relationship between words and music, and reflections upon the role of music in society.
He has co-edited (with David Hebert) the books Theory and Method in Historical Ethnomusicology (Lexington Books, 2014) and Ethnomusicology and Cultural Diplomacy (Lexington Books, 2022). He and Hebert are co-editors of a book series for Rowman and Littlefield press, [6] The Lexington Series in Historical Ethnomusicology: Deep Soundings. [7]
William Malm (March 6, 1928 - September 16, 2024) was an American musicologist known for his studies of Japanese traditional music. As a composer, teacher, and scholar of Japanese music, Malm shaped the study of ethnomusicology in the United States.
Mantle Hood explained ethnomusicology as being the "study of music wherever and whenever." While his teacher Jaap Kunst wrote the two volumes of Music in Java without actually playing any of the music, Hood required that his students learn to play the music they were studying.
Ethnomusicology (with no hyphen) quickly replaced comparative musicology as the name of the field. This usage was influenced by the formation of the Society for Ethnomusicology in 1955. In 1956, Kunst released a bestselling album of folk songs, on Folkways Records , entitled Living Folksongs and Dance-Tunes from the Netherlands.
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