Search results
Results from the WOW.Com Content Network
The song, which is two minutes and 30 seconds in length, begins with the sound of an infant crying. The main body of the song is a 50s progression, with time signature in 6/8, commonly heard in doo-wop songs such as "Stand by Me", progressing from C Major to A minor, then F Major to G Major, played softly on piano and synthesiser.
"Somewhere a Voice Is Calling" is a World War I song originally released in 1911. Arthur F. Tate composed the song and Eileen Newton wrote the lyrics. The song was published by T. B. Harms & Francis, Day & Hunter, Inc. in New York City. [3] The song was recorded on October 29, 1913, by vocalist Henry Burr in Camden, New Jersey.
The song's bridge documents the collapse of Gabriel's romantic relationships through the lyrical metaphor of a crumbling house and features bass runs from Tony Levin. [1] To achieve the percussive bass tones on "Secret World", Levin struck the strings with funk fingers , a set of specialized drumsticks attached to the digits that he developed ...
When we’re tired of the cold and longing for the sun, summer is the first thing on our mind. Swimsuits ,...
When I think about summer, al fresco dinner parties are the first thing that come to mind. Also, stylish swimsuits, pool floats and even delicious summer appetizers. But let's face it, the BBQ ...
"Running to Stand Still" is a song by rock band U2, and it is the fifth track from their 1987 album, The Joshua Tree. A slow ballad based on piano and guitar, it describes a heroin-addicted couple living in Dublin's Ballymun flats; the towers have since become associated with the song.
" ' Til the Rivers All Run Dry" is a song recorded by American country music artist Don Williams, who co-wrote it with Wayland Holyfield. It was released in December 1975 as the first single from the album Harmony. The song was Williams' fourth number one on the country chart.
The song has the elements of Delta blues, including a one-chord modal arrangement and a slide guitar break. However, the melody line is distinctive and relies less on blue notes . White delivers the vocal in his characteristic grainy, guttural style accompanied by his acoustic guitar, with Washboard Sam on washboard percussion . [ 5 ]