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Each of the photos noted that sale proceeds would be "devoted to the education of colored people". Most of these were produced by Charles Paxson and Myron Kimball, who took the group photo that later appeared as a woodcut in Harper's Weekly. This helped fan the anti-slavery cause and promote the sale of abolitionist photographs. [4]
His book was A Colored Man's Reminiscences of James Madison, described as "a singular document in the history of slavery and the early American republic." [2] Living in Washington, D.C., from 1837 on, Jennings made many valuable connections and was aided by the northern Whig Senator Daniel Webster in gaining freedom. In the 1850s, Jennings ...
Elizabeth (c. 1766 – June 11, 1866) was an African-American Methodist preacher and former slave. She orated a popular slave narrative about her life, titled Memoir of Old Elizabeth, A Colored Woman, which primarily discussed her faith. [1] It has been referred to as "one of the most remarkable full-length antebellum slavewomen's narratives". [2]
The Old Plantation is an American folk art watercolor probably painted in the late 18th century on a South Carolina plantation. [3] [4] [5] It is notable for its early date, its credible, non-stereotypical depiction of slaves on the North American mainland, and the fact that the slaves are shown pursuing their own interests.
Costumes of slaves or serfs, from the sixth to the twelfth centuries. Slavery in the Early Middle Ages (500–1000) was initially a continuation of earlier Roman practices from late antiquity, and was continued by an influx of captives in the wake of the social chaos caused by the barbarian invasions of the Western Roman Empire. [1]
Free Women of Color with their Children and Servants, oil painting by Agostino Brunias, Dominica, c. 1764–1796.. In the context of the history of slavery in the Americas, free people of color (French: gens de couleur libres; Spanish: gente de color libre) were primarily people of mixed African, European, and Native American descent who were not enslaved.
Frans Post (1612—1680) and Albert Eckhout (c.1610–1665) were two early Dutch painters to depict slavery. Post painted pictures of slaves working in idyllic rural landscapes which do little to reflect the harsh realities of their life. [7] Eckhout's work is a visual record of the ethnic mix in Dutch Brazil. [8] [9]
Subject of photos of his scarred back, widely circulated during the American Civil War Peter ( fl. 1863 ) (also known as Gordon , or " Whipped Peter ", or " Poor Peter ") was an escaped American slave who was the subject of photographs documenting the extensive scarring of his back from whippings received in slavery.