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The Old Plantation is an American folk art watercolor probably painted in the late 18th century on a South Carolina plantation. [3] [4] [5] It is notable for its early date, its credible, non-stereotypical depiction of slaves on the North American mainland, and the fact that the slaves are shown pursuing their own interests.
Free Women of Color with their Children and Servants, oil painting by Agostino Brunias, Dominica, c. 1764–1796.. In the context of the history of slavery in the Americas, free people of color (French: gens de couleur libres; Spanish: gente de color libre) were primarily people of mixed African, European, and Native American descent who were not enslaved.
The National Convention of Colored Citizens was held August 15–19, 1843 at the Park Presbyterian Church in Buffalo, New York. Similar to previous colored conventions, the convention of 1843 was an assembly for African American citizens to discuss the organized efforts of the anti-slavery movement. The convention included individuals and ...
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A woodcut (based on a photograph) that was published in Harper's Weekly on 30 January 1864 with the caption, "Emancipated Slaves, White and Colored.". White slave propaganda was a kind of publicity, especially photograph and woodcuts, and also novels, articles, and popular lectures, about slaves who were biracial or white in appearance. [1]
In slave societies, nearly everyone – free and slave – aspired to enter the slaveholding class, and upon occasion some former slaves rose into slaveholders' ranks. Their acceptance was grudging, as they carried the stigma of bondage in their lineage and, in the case of American slavery, color in their skin. [10]
The "branded slave" photograph of Chinn with "VBM" (the initials of his owner, Volsey B. Marmillion) branded on his forehead, wearing a punishment collar, and posing with other equipment used to punish slaves became one of the most widely circulated photos of the abolitionist movement during the American Civil War and remains one of the most ...
In early 2019, New York Times reporter Nikole Hannah-Jones made a simple pitch to her editors. The year marked the 400th anniversary of the arrival of the first Africans to the English colony of ...