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Early Nishiki Logo: The early Nishiki logo derived from the American Eagle logo, which was largely identical and featured an eagle head along with the tri-color square. Kawamura Cycle , the original manufacturer of Nishiki bikes, had used a tri-color square in its domestic marketing — the three colors symbolizing passion for the customer (red ...
Murasaki Shikibu wrote her diary at the Heian imperial court between c. 1008 – c. 1010.She is depicted here in a c. 1765 nishiki-e by Komatsuken.. The Diary of Lady Murasaki (紫式部日記, Murasaki Shikibu Nikki) is the title given to a collection of diary fragments written by the 11th-century Japanese Heian era lady-in-waiting and writer Murasaki Shikibu.
Nishiki-e (錦絵, "brocade picture") is a type of Japanese multi-coloured woodblock printing; the technique is used primarily in ukiyo-e. It was invented in the 1760s, and perfected and popularized by the printmaker Suzuki Harunobu , who produced many nishiki-e prints between 1765 and his death five years later.
Grave of Itō Jakuchū, Kyoto Nishiki Market, where Jakuchū's grocery shop was located, celebrated the 300th anniversary of his birth in 2016. Itō Jakuchū was the eldest son of Itō Genzaemon, a Kyoto grocer whose shop, called Masuya, lay in the center of downtown, in the Nishiki food district.
Ohaguro existed in Japan in one form or another for hundreds of years, and was considered a symbol of beauty for much of this time. Objects with a deep black color, such as those lacquered to a glossy black, were considered to be of great beauty, and many shades of black were used in dyeing kimono, with different shades holding different meanings.
Nurioke no bosetsu, colour nishiki-e print, 1766. Zashiki Hakkei (Japanese: 坐敷八景, [a] "Eight Parlour Views") is a series of eight prints from 1766 [2] by the Japanese ukiyo-e artist Suzuki Harunobu. They were the first full-colour nishiki-e prints and are considered representative
The Japanese terms for vertical (portrait) and horizontal (landscape) formats for images are tate-e (縦絵) and yoko-e (横絵), respectively.. Below is a table of common Tokugawa-period print sizes.
Kōjien defines bijin-ga as a picture that simply "emphasizes the beauty of women", [1] and the Shincho Encyclopedia of World Art defines it as depiction of "the beauty of a woman's appearance". [2]