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The orders, decorations, and medals of the Holy See include titles, chivalric orders, distinctions and medals honoured by the Holy See, with the Pope as the fount of honour, for deeds and merits of their recipients to the benefit of the Holy See, the Catholic Church, or their respective communities, societies, nations and the world at large.
Promote Catholic faith and to support religious, cultural and social works of the Melkite Greek Catholic Church in the Holy Land. Recognised as legitimate ecclesiastical decorations by the International Commission on Orders of Chivalry (2006): [1] Patronal Medal: Catholic University of America, Basilica of the National Shrine of the Immaculate ...
The sedia gestatoria was used for the Pope's solemn entrance into a church or hall and for his departure on the occasion of liturgical celebrations such as a papal Mass and for papal audiences. The use of the flabella was discontinued by Pope Paul VI, and that of the sedia gestatoria by Pope John Paul II .
Pro Ecclesia et Pontifice ("For Church and Pope" in Latin) is a decoration of the Holy See. It is currently conferred for distinguished service to the Catholic Church by lay people and clergy. History
It serves as a sign of reverence as well as a decoration and a protection of the altar and the sacred vessels. In the orthodox churches it is covered by the antimension, which also contains the relics of saints. Since the 2nd century the altar cloth has been seen as a symbol for the shroud of Jesus Christ; therefore it should be made of white ...
Catholic art has played a leading role in the history and development of Western art since at least the 4th century. The principal subject matter of Catholic art has been the life and times of Jesus Christ, along with people associated with him, including his disciples, the saints, and motifs from the Catholic Bible.
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In the first several centuries of large Christian churches being built, the altar tended to be further forward (towards the congregation) in the sanctuary than in the later Middles Ages (a position to which it returned in the 20th century) and a large altarpiece would often have blocked the view of a bishop's throne and other celebrants, so decoration was concentrated on other places, with ...
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