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Highest-grossing films of 1980 Rank Title Distributor Domestic gross 1 The Empire Strikes Back: 20th Century Fox: $209,398,025 2 9 to 5: $103,290,500 3 Stir Crazy: Columbia: $101,300,000 4 Airplane! Paramount: $83,453,539 5 Any Which Way You Can: Warner Bros. $70,687,344 6 Private Benjamin: $69,847,348 7 Coal Miner's Daughter: Universal ...
The decade of the 1980s in Western cinema saw the return of studio-driven pictures, coming from the filmmaker-driven New Hollywood era of the 1970s. [1] The period was when the "high concept" picture was established by producer Don Simpson, [2] where films were expected to be easily marketable and understandable.
This is a list of films and miniseries that are based on actual events. All films on this list are from American production unless indicated otherwise.. True story films [1] gained popularity in the late 1980s and early 1990s, with the production of films based on actual events that first aired on CBS, ABC, and NBC.
Collectively, the science fiction films from the 1980s have received 14 Academy Awards, 11 Saturn Awards, six Hugo Awards, five BAFTA awards, four BSFA Awards, and one Golden Globe Award. Four of these movies were the highest-grossing films of their respective years of release. However, these films also received nine Golden Raspberry Awards.
This is a list of films produced and distributed by HBO Films. 1980s. Release date Title Notes July 22, 1982: The Deadly Game: co-produced only May 22, 1983:
The 1980s transformed the horror movie genre. Check out this comprehensive list of the best '80s horror movies from "Friday the 13th" to "Ghostbusters II."
Title Director Cast Country Subgenre/Notes 1980: 9 to 5: Colin Higgins: Lily Tomlin, Dolly Parton, Jane Fonda: United States: Private Benjamin: Howard Zieff: Goldie Hawn, Eileen Brennan, Armand Assante
Industry professionals predicted comedy films and upbeat entertainment to dominate theaters in 1980. This was a response to poor morale in a nation suffering through economic recession, which generally increased theatrical visits as audiences sought escapism and ignored romantic films and depictions of blue-collar life.
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