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The Ancient Greek accent is believed to have been a melodic or pitch accent.. In Ancient Greek, one of the final three syllables of each word carries an accent. Each syllable contains a vowel with one or two vocalic morae, and one mora in a word is accented; the accented mora is pronounced at a higher pitch than other morae.
For other Ancient Greek dialects, such as Doric, Aeolic, or Koine Greek, please use |generic=yes. For a guide to adding IPA characters to Wikipedia articles, see Template:IPA and Wikipedia:Manual of Style/Pronunciation § Entering IPA characters. See Ancient Greek phonology and Modern Greek phonology for a more thorough look at their sounds.
Unlike Ancient Greek, which had a pitch accent system, Modern Greek has variable (phonologically unpredictable) stress. Every multisyllabic word carries stress on one of its three final syllables. Enclitics form a single phonological word together with the host word to which they attach, and count towards the three-syllable rule.
Ancient Greek phonology is the reconstructed phonology or pronunciation of Ancient Greek.This article mostly deals with the pronunciation of the standard Attic dialect of the fifth century BC, used by Plato and other Classical Greek writers, and touches on other dialects spoken at the same time or earlier.
rough breathing (῾) indicates the presence of the /h/ sound before a letter; smooth breathing (᾿) indicates the absence of /h/. Since in Modern Greek the pitch accent has been replaced by a dynamic accent (stress), and /h/ was lost, most polytonic diacritics have no phonetic significance, and merely reveal the underlying Ancient Greek ...
Ancient Greek in Italy is always [citation needed] taught in the Erasmian pronunciation. However, Italian speakers find it hard to reproduce the pitch-based Ancient Greek accent accurately so the circumflex and acute accents are not distinguished. Poetry is read using metric conventions that stress the long syllables.
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The "contracted sound" (拗音) is represented by the three small kana for ya (ゃ), yu (ゅ), yo (ょ). These do not represent a mora by themselves and attach to other kana; all the rest of the graphemes represent a mōra on their own. Most dialects of Japanese are pitch accent languages, and these pitch accents are also based on morae.
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