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The room is a reflection of Kusama's hallucinations that she had had since she was a child. The installation, which is mostly made up of LED lights and mirrors, allows the viewer to "obliterate" themselves and unite themselves with the room.
Yayoi Kusama was born on 22 March 1929 in Matsumoto, Nagano. [11] Born into a family of merchants who owned a plant nursery and seed farm, [12] Kusama began drawing pictures of pumpkins in elementary school and created artwork she saw from hallucinations, works of which would later define her career. [9]
Kusama: Infinity is a 2018 American biographical documentary film that chronicles the life and art of Japanese contemporary artist Yayoi Kusama, now one of the best-selling artists in the world, who overcame sexism, racism, and a stigma of mental illness to achieve international recognition relatively late in her career.
The room, which has a dizzying effect, is reminiscent of Yayoi Kusama's "Infinity Mirror Rooms" at the Broad but looks more like something out of Ant-Man's quantum universe.
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Other notable installations include Yayoi Kusama's Infinity Mirrored Room – The Souls of Millions of Light Years Away (2013), Ragnar Kjartansson's expansive nine-screen [31] video The Visitors (2012), Julie Mehretu's 24-feet-wide canvas Beloved (Cairo) (2013), and Goshka Macuga's photo-tapestry Death of Marxism, Women of All Lands Unite (2013 ...
The Broad has announced a $100-million expansion due to be completed before the 2028 Summer Olympics. What will it mean for the museum and downtown?
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