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Fear and Trembling (original Danish title: Frygt og Bæven) is a philosophical work by Søren Kierkegaard, published in 1843 under the pseudonym Johannes de silentio (Latin for John of the Silence). The title is a reference to a line from Philippians 2:12 , which says to “continue to work out your salvation with fear and trembling.”
The phrase "fear and trembling" is frequently used in New Testament works by or attributed to Paul the Apostle (painted here by Peter Paul Rubens).. Fear and trembling (Ancient Greek: φόβος και τρόμος, romanised: phobos kai tromos) [1] is a phrase used throughout the Bible and the Tanakh, and in other Jewish literature.
Soren Kierkegaard, Fear and Trembling 1843, Hong p. 66-67 The object of faith is the actuality of another person; its relation is an infinite interestedness. The object of faith is not a doctrine, for then the relation is intellectual, and the point is not to bungle it but to reach the maximum of the intellectual relation.
Let all mortal flesh keep silent, and stand with fear and trembling, and in itself consider nothing earthly; for the King of kings and Lord of lords cometh forth to be sacrificed, and given as food to the believers; and there go before Him the choirs of Angels, with every Dominion and Power, the many-eyed Cherubim and the six-winged Seraphim ...
The title, "Fear and Trembling", is said in the film to be the way Japanese must behave when addressing the Emperor. For Westerners, it calls to mind a line from Philippians 2:12, "continue to work out your salvation with fear and trembling", which could also describe Amélie's attitude during her year at Yumimoto.
Nevertheless, let those who think themselves to stand, take heed lest they fall, and, with fear and trembling work out their salvation, in labours, in watchings, in almsdeeds, in prayers and oblations, in fastings and chastity: for, knowing that they are born again unto a hope of glory, but not as yet unto glory, they ought to fear for the ...
In Fear and Trembling Abraham had to choose to follow God or call him a monster. In Repetition the Young Man had to choose to get married or to follow his love of writing. Both were "imaginative constructions" [ 21 ] created by Kierkegaard that dealt with hope and love .
and stand with fear and trembling, and meditate nothing earthly within itself:— For the King of kings and Lord of lords, Christ our God, comes forward to be sacrificed, and to be given for food to the faithful; and the bands of angels go before Him with every power and dominion, the many-eyed cherubim, and the six-winged seraphim, covering ...