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Honey, W.B., European Ceramic Art (Faber and Faber, 1952) Liverani, G. La maiolica Italiana sino alla comparsa della Porcellana Europea A summary of a century's study, largely based on surviving examples. Mussachio, Jacqueline, Marvels of Maiolica: Italian Renaissance Ceramics from the Corcoran Gallery of Art (Bunker Hill Publishing, 2004)
English tin-glazed majolica. First shown at the 1851 Exhibition by Minton & Co., Exhibit Number 74. Potteries Museum, Stoke-on-Trent, UK. The notes in this article append tin-glazed to the word meaning 'opaque white tin-glaze, painted in enamels', and coloured glazes to the word meaning 'coloured lead glazes, applied direct to the biscuit'.
A ceramic cup of Caltagirone. His historical knowledge is based on recent research carried out in the context of the creation of the Museum of Ceramics , first at the local School of Ceramics and then at its own headquarters under the aegis of Italian Republic and Sicily Region. Caltagirone has been declared a World Heritage Site by UNESCO. [2] [3]
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Shell-shaped snuffbox, by Gricci, Caselli and a goldsmith, 1745–1750 [22]. The true Capodimonte wares of the short period between 1743 and 1759 included tableware of the usual types, figures, and the Porcelain boudoir of Maria Amalia of Saxony entirely made of porcelain panels in a chinoiserie style, originally made for the Palace of Portici (1757–59), but now moved to the Capodimonte ...
Production of pottery is documented in the early Middle Ages, though no surviving pieces can be firmly attributed there before about 1490. It reached its artistic peak in the 15th and early 16th century. [1] It was the first Italian centre to use lustreware pigments, usually yellow, ruby or olive-green. Open pieces are usually only painted the ...
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