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Studio One was founded by Clement "Coxsone" Dodd [1] in 1954, and the first recordings were cut in 1963 on Brentford Road in Kingston. [1] [2] Amongst its earliest records were "Easy Snappin" by Theophilus Beckford, backed by Clue J & His Blues Blasters, and "This Man is Back" by trombonist Don Drummond.
Clement Seymour "Coxsone" Dodd CD (26 January 1932 – 4 May 2004) was a Jamaican record producer who was influential in the development of ska and reggae in the 1950s, 1960s and beyond. He was nicknamed "Coxsone" at school due to his talent as a cricketer (his friends compared him to Alec Coxon , a member of the 1940s Yorkshire County Cricket ...
Skylarking is the debut studio album by Horace Andy. It was released on Studio One in 1972. Not to be confused with his later album, also titled Skylarking, released in 1996. The backing band was Sound Dimension - Coxsone Dodd's studio band, led by Leroy Sibbles.
The Wailing Wailers is the 1965 eponymous debut studio album by the Wailers, later known as Bob Marley and the Wailers.Released on the Studio One label, the album is a compilation of various recordings made between 1964 and 1965 by Neville “Bunny” Livingston (Bunny Wailer), Robert Nesta Marley and Peter McIntosh ().
It was produced by Clement "Coxsone" Dodd, who used the "Real Rock" riddim. [2] It was first recorded in 1977 at Jamaica Recording Studio in Kingston, Jamaica, and released as a single in 1979 via Studio One. The single was re-released in 1980 and 1982 through Coxsone Records as a title track to Williams' second studio album of the same name.
"Rude Boy" is a 1964 Bob Marley song. One of his earliest songs and singles, it was included by Clement Dodd in the first The Wailers album Wailing Wailers, 1965. [1] The anthem placed The Wailers at the head of the rude boy music culture. [2]
The late actor’s home was officially sold for $8.5 million nearly one year after his sudden death on Oct. 28, 2023 Reuters 3 months ago US pending home sales jump the most in more than four ...
Perry's musical career began in the late 1950s as a record seller for Clement Coxsone Dodd's sound system. As his sometimes turbulent relationship with Dodd developed, he found himself performing a variety of important tasks at Dodd's Studio One hit factory, going on to record nearly thirty songs for the label. [3]