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The decline in popularity of the smooth jazz format has been blamed on a variety of factors, including lack of exposing compelling new music, over-reliance on instrumental cover versions of pop songs similar to the mostly-defunct Beautiful Music format, and Arbitron's PPM reports showing lower ratings [16] returns for smooth jazz stations than ...
"The Quiet Storm" was four hours of melodically soulful music that provided an intimate, laid-back mood for late-night listening, and that was the key to its tremendous appeal among adult audiences. The format was an immediate success, becoming so popular that within a few years, virtually every station in the U.S. with a core black, urban ...
Detour Ahead" [9] [152] is a jazz composition with words and music credited to Herb Ellis, John Frigo, and Lou Carter. Probably most famously recorded by Billie Holiday in 1951 with Tiny Grimes . " Four Brothers " [ 9 ] [ 13 ] [ 153 ] [ 154 ] is a jazz composition by Jimmy Giuffre .
For a looser, more comprehensive A-Z list of jazz standards and tunes which have been covered by multiple artists, see the List of jazz tunes Index of articles associated with the same name This set index article includes a list of related items that share the same name (or similar names).
Rob Bamberger is a jazz historian and collector best known for his long-running program Hot Jazz Saturday Night, which has run for more than 40 years on WAMU Radio, 88.5, a public broadcasting radio station in the Washington, D.C. area.
Jazz from Hell is an instrumental album whose selections were all composed and recorded by American musician Frank Zappa. It was released in November 1986, by Barking Pumpkin Records on vinyl and cassette , and in 1987 by Rykodisc on CD.
Many New Orleans jazzmen had moved to Chicago during the late 1910s in search of employment; among others, the New Orleans Rhythm Kings, King Oliver's Creole Jazz Band and Jelly Roll Morton recorded in the city. However, Chicago's importance as a center of jazz music started to diminish toward the end of the 1920s in favor of New York. [4]
In Brazil, a new style of music called bossa nova evolved in the late 1950s. The free jazz movement, coming to prominence in the late 1950s, spawned very few standards. Free jazz's unorthodox structures and performance techniques are not as amenable to transcription as other jazz styles.