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Billy Breathes is the sixth studio album by American rock band Phish, released by Elektra Records on October 15, 1996. The album was credited with connecting the band, known for its jam band concerts and devoted cult following, with a more mainstream audience.
"Free" is a song by Vermont-based jam band Phish, released as the first single from their 1996 album Billy Breathes.The track reached number 7 on the Billboard Adult Alternative Airplay chart, becoming their first song to reach the top 10 on that (or any) chart. [1]
For example, if a tune is in the key of C, if there is a G chord, the chord-playing performer will usually "voice" this chord as G7. While in a strict classical music context, the notes of a G7 chord would be "G–B–D–F", in jazz, the fifth of the chord is often omitted. The root is also often omitted if playing in a jazz group, as it will ...
Minor chords are noted with a dash after the number or a lowercase m; in the key of D, 1 is D major, and 4- or 4m would be G minor. Often in the NNS, songs in minor keys will be written in the 6- of the relative major key. So if the song was in G minor, the key would be listed as B ♭ major, and G minor chords would appear as 6-.
For example, the interval from A 3 to G 4 is a minor seventh, as the note G 4 lies ten semitones above A 3, and there are seven staff positions from A 3 to G 4. Diminished and augmented sevenths span the same number of staff positions, but consist of a different number of semitones (nine and twelve, respectively).
In music, a minor seventh chord is a seventh chord composed of a root note, a minor third, a perfect fifth, and a minor seventh (1, ♭ 3, 5, ♭ 7). In other words, one could think of it as a minor triad with a minor seventh attached to it. [2] For example, the minor seventh chord built on A, commonly written as A− 7, has pitches A-C-E-G:
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With chord letters used to indicate the root and chord quality, and add 7, thus a seventh chord on ii in C major (minor minor seventh) would be d 7. [ 1 ] As with dominant seventh chords, nondominant seventh chords often resolve by stepwise progression around the circle of fifths —that is, by intervals of a descending fifth (clockwise) or ...