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It is not certain when play-made paper models, now commonly known as origami, began in Japan. However, the kozuka of a Japanese sword made by Gotō Eijō (後藤栄乗) between the end of the 1500s and the beginning of the 1600s was decorated with a picture of a crane made of origami, and it is believed that origami for play existed by the Sengoku period or the early Edo period.
Origami (折り紙, Japanese pronunciation: or [oɾiꜜɡami], from ori meaning "folding", and kami meaning "paper" (kami changes to gami due to rendaku)) is the Japanese art of paper folding. In modern usage, the word "origami" is often used as an inclusive term for all folding practices, regardless of their culture of origin.
In 1954, his first monograph, Atarashii Origami Geijutsu (New Origami Art) was published. In this work, he established the Yoshizawa–Randlett system of notation for origami folds (a system of symbols, arrows and diagrams [3]), which has become the standard for most paperfolders. The publishing of this book helped Yoshizawa out of his poverty.
The origami crane diagram, using the Yoshizawa–Randlett system. The Yoshizawa–Randlett system is a diagramming system used to describe the folds of origami models. Many origami books begin with a description of basic origami techniques which are used to construct the models.
Kōshō Uchiyama – Sōtō priest, origami master, and abbot of Antai-ji near Kyoto, Japan, and author of more than twenty books on Zen Buddhism and origami Miguel de Unamuno – Spanish essayist, novelist, poet, playwright and philosopher who devised many new models and popularized origami in Spain and South America.
Koshiro Hatori has suggested that the fortune teller shape is originally European, rather than Japanese, [19] but its exact origin is unclear. Origami historian David Mitchell has found many 19th-century European sources mentioning a paper "salt cellar" or "pepper pot" (the latter often folded slightly differently).
It was the first origami exhibit in the United States. [10] While Yoshizawa's art was the focus, it also featured the work of American folders who had been discovered by Oppenheimer and contained material on the history and mathematical aspects of origami, which helped it gain approval in both artistic and academic circles.
Toshikazu Kawasaki (川崎敏和, Kawasaki Toshikazu, born November 26, 1955 in Kurume, Fukuoka) is a Japanese paperfolder and origami theorist who is known for his geometrically innovative models. He is particularly famous for his series of fourfold symmetry "roses", all based on a twisting maneuver that allows the petals to seem to curl out ...