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It is not certain when play-made paper models, now commonly known as origami, began in Japan. However, the kozuka of a Japanese sword made by Gotō Eijō (後藤栄乗) between the end of the 1500s and the beginning of the 1600s was decorated with a picture of a crane made of origami, and it is believed that origami for play existed by the Sengoku period or the early Edo period.
[1] [2] In Japan, ceremonial origami is generally called "origata" to distinguish it from recreational origami. The term "origata" is one of the old terms for origami. [3] [4] [5] The small number of basic origami folds can be combined in a variety of ways to make intricate designs. The best-known origami model is the Japanese paper crane.
During World War II, Yoshizawa served in the army medical corps in Hong Kong. He made origami models to cheer up the sick patients, but eventually fell ill himself and was sent back to Japan. [2] His origami work was creative enough to be included in the 1944 book Origami Shuko, by Isao Honda (本多 功).
Kōshō Uchiyama – Sōtō priest, origami master, and abbot of Antai-ji near Kyoto, Japan, and author of more than twenty books on Zen Buddhism and origami Miguel de Unamuno – Spanish essayist, novelist, poet, playwright and philosopher who devised many new models and popularized origami in Spain and South America.
The origami crane diagram, using the Yoshizawa–Randlett system. The Yoshizawa–Randlett system is a diagramming system used to describe the folds of origami models. Many origami books begin with a description of basic origami techniques which are used to construct the models.
Masahiro Chatani was a Japanese architect (certified, first class) and professor considered to be the creator of origamic architecture. From its development until his death in 2008, he was widely acknowledged to be the world's foremost origamic architect. Masahiro Chatani was born in Hiroshima, Japan in 1934.
Maying Soong's 1948 book, The Art of Chinese Paper Folding, helped popularise recreational paper folding in the 20th century, and was possibly the first to distinguish the difference between Chinese versus Japanese paper folding – where the Chinese focus primarily on inanimate objects, such as boats or pagoda, the Japanese include representations of living forms, such as the crane. [4]
Toshikazu Kawasaki (川崎敏和, Kawasaki Toshikazu, born November 26, 1955 in Kurume, Fukuoka) is a Japanese paperfolder and origami theorist who is known for his geometrically innovative models. He is particularly famous for his series of fourfold symmetry "roses", all based on a twisting maneuver that allows the petals to seem to curl out ...