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A marquee outside The Anthem advertises a sold-out Bon Iver concert. The current usage of the modern English word marquee, that in US English refers specifically to a canopy projecting over the main entrance of a theater, which displays details of the entertainment or performers, was documented in the academic journal American Speech in 1926: "Marquee, the front door or main entrance of the ...
A pair of cue marks is used to signal the projectionist that a particular reel of a movie is ending, as most movies presented on film come to theaters on several reels of film lasting about 14 to 20 minutes each (the positive print rolls themselves are either 1,000 feet or, more commonly, 2,000 feet, nominally 11.11 or 22.22 minutes, absolute ...
The world's first film poster (to date), for 1895's L'Arroseur arrosé, by the Lumière brothers Rudolph Valentino in Blood and Sand, 1922. The first poster for a specific film, rather than a "magic lantern show", was based on an illustration by Marcellin Auzolle to promote the showing of the Lumiere Brothers film L'Arroseur arrosé at the Grand Café in Paris on December 26, 1895.
Some movie studios build a wide variety of sets on the backlot, which can be modified for different purposes as need requires and "dressed" to resemble any time period or look. These sets include everything from mountains, forests, ships, to small-town settings from around the world, as well as streets from the Old West , to whole modern-day ...
The practice of adding color to black-and-white, sepia, or other monochrome film or still images, either as a special effect, to "modernize" films made in the pre-color era, or to restore or remaster dated color films; or any process by which this effect is achieved. Modern colorization is usually achieved with digital image processing software.
The world's oldest outdoor cinema, still in operation, is Sun Picture Gardens in Broome, Western Australia. Athens has 65 outdoor cinemas. [5] [1] Other outdoor cinemas include the Outdoor Cinema Food Fest in California, Oshkosh's Fly-In theater, [6] Screen on the Green (Atlanta) or Sunset Cinema [7] in Australia.
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A darker (grey) screen reflects less light, of course—both light from the projector and ambient light. This decreases the luminance (brightness) of both the projected image and ambient light, so while the light areas of the projected image are dimmer, the dark areas are darker; white is less bright, but intended black is closer to actual black.