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Unit 634 was home to civil rights activist Rosa Parks, her husband Raymond, and her mother, Leona McCauley, during the Montgomery bus boycott from 1955 to 1956. The building was placed on the Alabama Register of Landmarks and Heritage on March 30, 1989, and the National Register of Historic Places on October 29, 2001.
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Richardson deeded title to the land to Montgomery County, which leased the land back to him to operate the airport. [1] Richardson planned to operate charter flights and an air taxi to National Airport, Baltimore's Friendship Airport, and the soon-to-be-opened Dulles Airport. [1] The airport was dedicated on October 22, 1960. [5]
There are no hints of pop-jazz or NAC music on this disc. Montgomery is in fine form on "Wes' Easy Blues" as well as performances of standards like "I'll Remember April" and "Body and Soul." Although not quite essential, Live at Ronnie Scott's is a CD that lovers of Montgomery's straight-ahead playing will appreciate." [1]
Scotland Community welcome sign, Montgomery County, MD Scotland is a predominantly African American community in Montgomery County , Maryland , United States, located along Seven Locks Road. Consisting of 100 townhomes, Scotland community's roots date back to the late 19th century, when former slaves bought land in Potomac .
From 1893 until 1950, independent public or subscriber funded libraries provided limited services to residents of southern Montgomery County. Nine independent library associations operated facilities located in Bethesda, Four Corners, Gaithersburg, Garrett Park, Kensington, Rockville, Sherwood, Silver Spring, and Wheaton. [5]
In November after the canal closed for the season, he would live with the family at the house on the hill until the canal reopened in March. [35] The canal was closed permanently in 1924, but Riley continued working near the lock. The 1930 U.S. Census lists him as a canal watchman, and the family had a boat rental business that lasted until the ...
Andre Sennwald wrote in The New York Times, "The principal distinction of this unexpected preachment in behalf of the hard, Cezanne way in art (using that Greenwich Village master, Robert Montgomery, as an object lesson) is that it affords a reasonably adequate vehicle for the graduation out of very funny shorts into a not-too-funny feature-length production, of Robert Benchley, who plays a ...