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Aidan Meehan is an Irish artist and author of 18 books on Celtic art and design. [1] [2] including the eight-volume Celtic Design series and Celtic Alphabets, Celtic Borders, The Book of Kells Painting Book, The Lindisfarne Painting Book and Celtic Knots, all published by Thames & Hudson
The style is most commonly associated with the Celtic lands, but it was also practiced extensively in England and was exported to Europe by Irish and Northumbrian monastic activities on the continent. J. Romilly Allen has identified "eight elementary knots which form the basis of nearly all the interlaced patterns in Celtic decorative art". [4] [5]
English: Vector version of a design from the Book of Kells, fol. 29r. Traced outlines in black and white representing three intertwined dogs. Traced outlines in black and white representing three intertwined dogs.
Armit has conjectured that designs below the heads are supposed to represent plints upon which severed heads were placed, which would tie them into the Celtic cult of the severed head. [ 7 ] : 107–110 No other Celtic stone monuments are known with an obelisk shape (that is, slender and tapered).
This introduces interlace, and also uses Celtic motifs drawn from metalwork. The design of two of the surviving pages relates them as a two-page spread. [43] Book of Durrow. The earliest surviving Gospel Book with a full programme of decoration (though not all has survived): six extant carpet pages, a full-page miniature of the four evangelist ...
Celtic art has used a variety of styles and has shown influences from other cultures in their knotwork, spirals, key patterns, lettering, zoomorphics, plant forms and human figures. As the archaeologist Catherine Johns put it: "Common to Celtic art over a wide chronological and geographical span is an exquisite sense of balance in the layout ...
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The Celtic leaf-crown (German: Blattkrone) is a motif of Celtic art from the early La Tène period. A leaf-crown is composed of two broad lobe-shaped elements. The crowns adorn the heads of anthropomorphic figures, almost always male and often bearded. The lobes have been identified with mistletoe leaves. The interpretation of this motif is ...
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