Search results
Results from the WOW.Com Content Network
He eventually became the general manager for a wine bar in Highland Village, TX, 30 minutes outside of Dallas. [2] The wine bar gave hime a venue where he could showcase his pieces by painting live in front of the evening's guests. He knew that he could increase his art's visibility by making the wine bar more successful.
Lucas Johnson (October 24, 1940 – August 31, 2002) was an American artist and major force in the Texas art scene from the late 1960s to the early 2000s. [1] Largely self-taught, he mastered numerous techniques, including egg tempera, pen and ink drawing, silverpoint, oil and acrylic painting, and the printmaking disciplines of aquatint, etching, lithography, serigraphy, drypoint and ...
Silverpoint, red chalk, and traces of black pencil on white-coated paper, Kunstmuseum Basel. Silverpoint (one of several types of metalpoint ) is a traditional drawing technique and tool first used by medieval scribes on manuscripts.
Earley, Sandra, 9 September 1985, "Art: The Siren Song of Silverpoint", The Wall Street Journal; Eshoo, Amy, 560 Broadway- A New York Drawing Collection at Work, 1991–2006, Yale University Press, 2007; Faxon, Alicia, Susan Schwalb: Moments of Resonance, Art New England, June/July ’99; Faxon, Alicia, Drawing: Line or Image, New Art Examiner ...
During his "Master’s" period in Paris, followed by Malta in the 1990s, Koulbak’s main body of work has been executed in silver point. Green Monkey (2004) Portrait (2001)
Thelma Ellen Wood (July 3, 1901 – December 10, 1970) was an American artist, specialising in the traditional fine line drawing technique known as Silverpoint.She was noted for her hectic private life, and her lesbian relationship with Djuna Barnes was fictionalized in Barnes' novel Nightwood.
Silverpoint on prepared parchment: 8.2 x 13.3 cm: Museum Boijmans Van Beuningen, Rotterdam: The drawing is related to the painting W206 : Study for the Painting of St. John the Baptist Preaching: c. 1633-1634: pen, brown ink and brown wash with white heightenings: 14.5 × 20.4 cm: Musée du Louvre, Paris: The drawing is related to the painting W110
Bartering for a Bride (The Trapper's Bride), 1845, oil on canvas, 36 x 28 in., Eiteljorg Museum of American Indians and Western Art, Indianapolis, Indiana. He returned to Baltimore in 1834, where he opened a downtown studio and advertised himself as a painter of portraits and Old Master copies. [5]