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The American Enlightenment was influenced by the 17th- and 18th-century Age of Enlightenment in Europe and distinctive American philosophy. According to James MacGregor Burns , the spirit of the American Enlightenment was to give Enlightenment ideals a practical, useful form in the life of the nation and its people.
Barbara Maria Stafford (born 1941) is an art historian whose research focuses on the developments in imaging arts, optical sciences, and performance technologies since the Enlightenment. Early life and education
A review by The New York Times calls it a "witty and impassioned history of American art from its beginnings to the present day", "beautiful and essential", notes that "Mr. Hughes fortunately remains the critic throughout his historical canvassing, making distinctions and judgments without taking sides." and concludes "With it, Mr. Hughes has ...
Enlightenment texts circulating in Spanish America have been linked to the intellectual underpinnings of Spanish American independence. [5] Works by Enlightenment philosophers were owned and read in Spanish America, despite restrictions on the book trade and their inclusion on the Inquisition’s list of forbidden books . [ 6 ]
Visual art of the United States or American art is visual art made in the United States or by U.S. artists. Before colonization, there were many flourishing traditions of Native American art , and where the Spanish colonized Spanish Colonial architecture and the accompanying styles in other media were quickly in place.
In his De Pictura ("About Painting") of 1441, Alberti argued that multi-figure history painting was the noblest form of art, as being the most difficult, which required mastery of all the others, because it was a visual form of history, and because it had the greatest potential to move the viewer. He placed emphasis on the ability to depict the ...
Jean-Antoine Houdon at work in his atelier, 1804, by Louis-Léopold Boilly, Musée des Arts Décoratifs, Paris.. Houdon was born in Versailles, on 20 March 1741. [2] In 1752, he entered the Académie royale de peinture et de sculpture, where he studied with René-Michel Slodtz, Jean-Baptiste Lemoyne, and Jean-Baptiste Pigalle. [3]
1996 – The Metropolitan Museum of Art exhibition W.P.A. Color Prints: Images from the Federal Art Project. The News Release noted that the selection of works have rarely or never been exhibited previously. The works show various advanced printmaking practices of the time and have impacted the history of American printmaking.
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