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Schubert-An Sylvia-D 891 n 4, performed by Petrica Ariton and Paloma Camacho during the 2023 International Course for the Interpretation of Lied Wolfram Rieger in Barcelona " An Sylvia ", D 891; Op. 106, No. 4, is a Lied for voice and piano composed by Franz Schubert in 1826 and published in 1828.
But I Lied" reached the US top 40 in November 1993 and eventually became Bolton's seventh and most recent top-ten hit on the Billboard Hot 100 when it peaked at number six in early 1994. [2] The song also spent 12 weeks at number one on the Billboard Hot Adult Contemporary Tracks chart, the singer's eighth chart-topper on this listing. [ 3 ]
F major is the home key of the English horn, the basset horn, the horn in F, the trumpet in F and the bass Wagner tuba. Thus, music in F major for these transposing instruments is written in C major. These instruments sound a perfect fifth lower than written, with the exception of the trumpet in F which sounds a fourth higher.
The piano accompaniment is figured by broken chords doubled in octaves, set in dotted rhythms characteristic of Schumann. The second stanza is set to a key change from A-flat to E major; here the accompaniment is replaced by repeated-chord triplet figurations.
In major keys, the chords iii and vi are often substituted for the I chord, to add interest. In the key of C major, the I major 7 chord is "C, E, G, B," the iii chord ("III–7" [11]) is E minor 7 ("E, G, B, D") and the vi minor 7 chord is A minor 7 ("A, C, E, G"). Both of the tonic substitute chords use notes from the tonic chord, which means ...
The accompaniment performers translate the Roman numerals to the specific chords that would be used in a given key. In the key of E major, the diatonic chords are: E maj7 becomes I maj7 (also I ∆7, or simply I) F ♯ m 7 becomes II m7 (also II −7, II min7, IIm, or II −) G ♯ m 7 becomes III m7 (also III −7, III min7, IIIm, or III −)
A closely related key can be defined as one that has many common chords. A relative major or minor key has all of its chords in common; a dominant or subdominant key has four in common. Less closely related keys have two or fewer chords in common. For example, C major and A minor have 7 common chords while C major and F ♯ major have 0 common ...
For orchestration of piano music, some theorists recommend transposing the music to F major or G major. If F-sharp major must be used, one should take care that B♭ wind instruments be notated in A-flat major , rather than G-sharp major (or E♮/B♮ instruments used instead, giving a transposed key of D major /G major).
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