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Many others had the Victorian décor stripped off or covered with tarpaper, brick, stucco, or aluminum siding. In 1963, San Francisco artist Butch Kardum began combining intense blues and greens on the exterior of his Italianate-style Victorian house. His house was criticized by some, but other neighbors began to copy his example.
The choice of paint color on the walls in Victorian homes was said to be based on the use of the room. Hallways that were in the entry hall and the stair halls were painted a somber gray so as not to compete with the surrounding rooms. Most people marbleized the walls or the woodwork.
The color combination of the houses also emphasized the contrast between the lighter colors of the details and the darker colors of the house body. [5] In the United States, especially in California, American home builders in the 1880s replaced flat-cut gingerbread ornamental elements that were popular in the 1860s and 1870s with lathe-tuned ...
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Finish exposures are performed by carefully removing over-paint in order to reveal historic colors and patterns. This can be done mechanically and/or with chemical strippers. Finish exposure is useful "to uncover potential hidden artwork or patterns, and will often tell us the whole story of a historic decorative scheme." [10] Optical microscopy
In 1976 Moss launched a publication series to reprint rare Victorian design sources from the Athenæum collection, beginning with Exterior Decoration: A Treatise on the Artistic Use of Colors in the Ornamentation of Buildings originally published in 1885 by the Devoe Paint Company www.1754Paint.com complete with large color plates and authentic ...
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