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Medusa is widely known as a monstrous creature with snakes in her hair whose gaze turns men to stone. Through the lens of theology, film, art, and feminist literature, my students and I map how her meaning has shifted over time and across cultures.
Pindar makes snakes for hair explicit, saying that Perseus' Gorgon head "shimmered with hair made of serpents", and that the Gorgons chasing Perseus also had "horrible snaky hair", so too in Prometheus Bound where all three Gorgons are described as "winged" as well as "snake-haired". [47]
In addition to her stone gaze and snake hair, she also fights with a bow and arrow, the tips of said arrows anointed with deadly poison Medusa is also featured in the 2010 remake of the film, with a more human face that contorts when she turns her victims to stone. [17] Duzer is a Gorgon in the 1990 animated series Gravedale High.
Instead, the bundle becomes incredibly heavy and prevents the victim from fleeing. She then uses her long, snake-like tongue to suck all the blood from her victim's body. In other stories, a nure-onna is simply seeking solitude as she washes her hair and reacts violently to those who bother her. The rokurokubi is a close relative to the nure-onna.
Based upon the eponymous Greek mythological figure whose story was chronicled in Ovid's Metamorphoses, she is a snake-haired Gorgon with the ability to turn living creatures to stone with her gaze. Since her debut in 1964, Medusa's physical appearance has been presented variously as DC Comics' continuities have shifted and evolved.
A snake-haired monster Athena According to Ovid, Medusa was originally a beautiful maiden who was raped by Poseidon inside one of Athena's temples. Athena, enraged, turned the girl's hair into snakes, and in due time she would help Perseus slay her. Mulburry's white fruit: Dark red None
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The portrait draws on the myth of Medusa, the snake haired woman whose gaze could turn onlookers to stone. Unlike other depictions of the Medusa, such as Benevento Cellini’s Perseus and Medusa, the Medusa is not portrayed as a vanquished figure with her head severed from her body, but as a living monster. Bernini’s decision to create a ...
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