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Soviet First Secretary Nikita Khrushchev wanted the Tsar Bomba to "hang like the sword of Damocles over the imperialists' heads". [17] Woodcut images of the sword of Damocles as an emblem appear in 16th- and 17th-century European books of devices, with moralizing couplets or quatrains, with the import METUS EST PLENUS TYRANNIS. [18]
If you say in the first act that there is a rifle hanging on the wall, in the second or third act it absolutely must go off. If it's not going to be fired, it shouldn't be hanging there." — Sergius Shchukin (1911) Memoirs. [14] [3] "If in the first act you have hung a pistol on the wall, then in the following one it should be fired.
Beowulf spots another sword, hanging on the wall and apparently made for giants, and cuts her head off with it. Travelling further into Grendel's mother's lair, Beowulf discovers Grendel's corpse and severs his head with the sword. Its blade melts because of the monster's "hot blood", leaving only the hilt.
Through it runs a lofty arched passage paved with tiles, giving a view of a canal with trees. On the steps of the archway, in the foreground, sits a little girl, wearing a grey jacket and yellow frock, with a dog on her lap. Beneath a vine-clad arbour, in a recess formed by the wall and the corner of the house, sit two men at a table.
The Swords of Night and Day: These are wielded by Olek Skilgannon 'the Damned' in White Wolf and The Swords of Night and Day. Powerful, yet inferior, copies of the Swords of Blood and Fire. The Swords of Blood and Fire: Twin swords wielded by Decado in The Swords of Night and Day, and by Boranius in White Wolf. The original swords from which ...
On some swords from the sixth century onward, rings were attached to the upper guard or pommel, many of which were ornamented. [42] These rings sometimes served a practical purpose—for example, a soldier could tie a cord to the ring and subsequently hang the sword from their wrist. This practice is attested in later Viking sagas.
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