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It is vital not only to imagine space but also to follow the narration, the description, and the course of action, since all those may shape the fictitious reality by imposing the additional meanings on it. [7] Literary/cultural conventions constitute the second space-modelling code. This system is more abstract one than the previous one.
Labov notes that the orientation (introduction) serves to orient the listener in respect to person, place, time, and behavioural situation. The orientation tells us how the story begins. An example would be “I went to the store in San Francisco.” [6] The complication of a narrative is the conflict. A complication is key in narrative because ...
Geocriticism frequently involves the study of places described in the literature by various authors, but it can also study the effects of literary representations of a given space. An example of the range of geocritical practices can be found in Tally's collection Geocritical Explorations: Space, Place, and Mapping in Literary and Cultural Studies.
In the literary artistic chronotope, spatial and temporal indicators are fused into one carefully thought-out, concrete whole. Time, as it were, thickens, takes on flesh, becomes artistically visible; likewise, space becomes charged and responsive to the movements of time, plot and history.
Life writing is an expansive genre that primarily deals with the purposeful recording of personal memories, experiences, opinions, and emotions for different ends. While what actually constitutes life writing has been up for debate throughout history, it has often been defined through the lens of the history of the autobiography genre as well as the concept of the self as it arises in writing.
The social production of space is a concept in the sociology of space which contends that space is neither a thing nor a container, but a product and means of production. Thus, space is produced and constructed socially and a set of human relations. [1] It was pioneered by philosopher Henri Lefebvre in his 1974 book La Production de l'espace. [2]
An English example is William Hazlitt's Liber Amoris (1823), a painful examination of the writer's love-life. With the rise of education, cheap newspapers and cheap printing, modern concepts of fame and celebrity began to develop, and the beneficiaries of this were not slow to cash in on this by producing autobiographies.
Illustration of the analogy between the human body and a geocentric cosmos: the head is analogous to the cœlum empyreum, closest to the divine light of God; the chest to the cœlum æthereum, occupied by the classical planets (wherein the heart is analogous to the sun); the abdomen to the cœlum elementare; the legs to the dark earthy mass (molis terreæ) which supports this universe.