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A variety of musical terms is encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
"Slowly but steadily." Comes before other terms; e.g. poco a poco crescendo ("increasing little by little") Ma non tanto: but not so much: Comes after other terms; e.g. adagio ma non tanto ("not quite at ease") Ma non troppo: but not too much: Comes after other terms; e.g. allegro ma non troppo ("not too joyful") Meno: less
The number of operands of an operator is called its arity. [4] Based on arity, operators are chiefly classified as nullary (no operands), unary (1 operand), binary (2 operands), ternary (3 operands). Higher arities are less frequently denominated through a specific terms, all the more when function composition or currying can be used to avoid ...
This glossary includes terms for musical instruments, playing or singing techniques, amplifiers, effects units, sound reinforcement equipment, and recording gear and techniques which are widely used in jazz and popular music. Most of the terms are in English, but in some cases, terms from other languages are encountered (e.g. to do an "encore ...
Musical phrasing is the method by which a musician shapes a sequence of notes in a passage of music to allow expression, much like when speaking English a phrase may be written identically but may be spoken differently, and is named for the interpretation of small units of time known as phrases (half of a period).
For example, Stewart Macpherson defines a musical sentence as "the smallest period in a musical composition that can give in any sense the impression of a complete statement." [ 1 ] It "may be defined as a period containing two or more phrases, and most frequently ending with some form of perfect cadence ."
Post-tonal music theory is the set of theories put forward to describe music written outside of, or 'after', the tonal system of the common practice period.It revolves around the idea of 'emancipating dissonance', that is, freeing the structure of music from the familiar harmonic patterns that are derived from natural overtones.