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Medea (Ancient Greek: Μήδεια, Mēdeia) is a tragedy by the ancient Greek playwright Euripides based on a myth. It was first performed in 431 BC as part of a trilogy, the other plays of which have not survived.
Greek tragedy (Ancient Greek: τραγῳδία, romanized: tragōidía) is one of the three principal theatrical genres from Ancient Greece and Greek inhabited Anatolia, along with comedy and the satyr play. It reached its most significant form in Athens in the 5th century BC, the works of which are sometimes called Attic tragedy.
In Greek mythology, Medea (/ m ɪ ˈ d iː ə /; Ancient Greek: Μήδεια, romanized: Mḗdeia; lit. ' planner, schemer ') [1] is the daughter of King Aeëtes of Colchis.In the myth of Jason and the Argonauts, she aids Jason in his search for the Golden Fleece.
Medea about to kill her children (Eugène Delacroix) Medea is a fabula crepidata (Roman tragedy with Greek subject) of about 1027 lines of verse written by Seneca the Younger. It is generally considered to be the strongest of his earlier plays. [1] It was written around 50 CE.
Medea by Anthony Frederick Augustus Sandys (painted 1866-68); its rejection for exhibition at the Royal Academy in 1868 caused a storm of protest. The dramatic episodes in which Greek mythology character Medea plays a role have ensured that she remains vividly represented in popular culture.
Getty Villa – Storage Jar with a chorus of Stilt walkers – inv. VEX.2010.3.65. A Greek chorus (Ancient Greek: χορός, romanized: chorós) in the context of ancient Greek tragedy, comedy, satyr plays, is a homogeneous group of performers, who comment with a collective voice on the action of the scene they appear in, or provide necessary insight into action which has taken place offstage ...
The cave where Jason and Medea were married is now called Medea's Cave. Altars that Medea set up in a local temple of Apollo still receive annual sacrifices to the nymphs who attended her wedding, and to the Fates (associated with births and marriages). As with the first Colchian fleet, the second dispersed rather than return home empty-handed.
Anagnorisis (/ ˌ æ n ə ɡ ˈ n ɒr ɪ s ɪ s /; Ancient Greek: ἀναγνώρισις) is a moment in a play or other work when a character makes a critical discovery.Anagnorisis originally meant recognition in its Greek context, not only of a person but also of what that person stood for.