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Most remains of Etruscan funerary art have been found in excavations of cemeteries (as at Cerveteri, Tarquinia, Populonia, Orvieto, Vetulonia, Norchia), meaning that what we see of Etruscan art is primarily dominated by depictions of religion and in particular the funerary cult, whether or not that is a true reflection of Etruscan art as a whole.
Etruscan sculpture was one of the most important artistic expressions of the Etruscan people, who inhabited the regions of Northern Italy and Central Italy between about the 9th century BC and the 1st century BC. Etruscan art was largely a derivation of Greek art, although developed with many characteristics of its own. [1]
The Etruscans were well known for their terracotta sculptures and funerary art, predominantly sarcophagi and urns. [2] This sarcophagus is a late sixth-century BCE Etruscan anthropoid sarcophagus found at the Banditaccia necropolis in Caere, and is now located in the National Etruscan Museum of Villa Giulia, Rome. [1] [3]
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However, he proposes that the scene emphasizes the death of Troilus as a sacrifice. This image would have served to honor and placate the dead in perpetuity. He points out that the sword of Achilles is a single-edged sacrificial knife rather than a double-edged sword. Scenes of slaughter are not uncommon in Etruscan funerary art.
Writing in 1964, in the first major general survey of tomb sculptures, the art historian Erwin Panofsky suggested that they were based on mosaic from North African and Spanish tombs, with other art historians arguing that the primary influence was from Classical funerary monuments, particularly those from Etruscan culture. [17]
A statue is seen at the site of the discovery of two dozen well-preserved bronze statues from an ancient Tuscan thermal spring in San Casciano dei Bagni, central Italy, in this undated photo made ...
The tomb was discovered in 1875. In the 1920s, D.H. Lawrence described the painting in his travel essays Sketches of Etruscan Places: The walls of this little tomb are a dance of real delight. The room seems inhabited still by Etruscans of the sixth century before Christ, [11] a vivid, life-accepting people, who must have lived with real ...
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