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The old masters prepared the copper for painting first by rubbing it with fine pumice abrasive. The copper surface was then treated with garlic juice which is believed to improve adhesion of the paint. Finally a white or grey ground layer of oil paint was applied as a primer. After drying the copper panel was ready for the artist to begin painting.
Black for copper. Solution of sodium polysulfide 2.5%, items must be submerged in the solution after color developing, wash, dry and wax or varnish colored object. [27] Brown for copper. Items are boiled in at least 3-day-old water solution of 12% copper sulfate, after color being developed, the material is washed, dried and waxed or varnished ...
The paint consists of water, rye flour, linseed oil, silicates, iron oxides, copper compounds, and zinc.As falu red ages the binder deteriorates, leaving the color granules loose, but restoration is easy since simply brushing the surface is sufficient before repainting.
Verdigris or Vert-de-Gris, is a blue-green, copper-based pigment. Its name comes from the natural pigments that form a patina on copper, bronze, and brass as it ages. [2] The most famous example is the green patina that formed on the Statue of Liberty in New York Harbor.
Historic paint analysis, or architectural paint research, is the scientific analysis of a broad range of architectural finishes, and is primarily used to determine the color and behavior of surface finishes at any given point in time. This helps us to understand the building's structural history and how its appearance has changed over time.
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The conservation and restoration of copper and copper-alloy objects is the preservation and protection of objects of historical and personal value made from copper or copper alloy. When applied to items of cultural heritage , this activity is generally undertaken by a conservator-restorer .
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