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TASCAM also introduced the first low-cost mass-produced multitrack recorders with Simul-Sync designed for recording musicians, and manufactured reel-to-reel tape machines and audio mixers for home recordists from the early 1970s through the mid-1990s. Since the early 00's, TASCAM has been an early innovator in the field-recording and audio ...
The mixer had twenty-four microphone inputs and eight tape outputs, [3] a significant increase over the eight microphone inputs and four tape outputs of the REDD .51 mixing console that it replaced. [4] This also enabled the studio to replace its four-track Studer J37 multitrack tape recorder with the eight-track 3M M23. [5]
The master control section on a large live venue or sound recording mixer typically has sub-group faders, master faders, master auxiliary mixing bus level controls and auxiliary return level controls. On most mixers, the master control is a fader. However, on some small mixers, rotary knobs are used instead to save space (and cost).
A mixer (mixing console, mixing desk, mixing board, or software mixer) is the operational heart of the mixing process. [10] Mixers offer a multitude of inputs, each fed by a track from a multitrack recorder. Mixers typically have 2 main outputs (in the case of two-channel stereo mixing) or 8 (in the case of surround).
The 33609 is a 19” rack mounted compressor limiter produced by Neve Electronics for broadcast and recording purposes. [9] The unit can be linked for stereo and multi-channel operation. The compressor processes the audio signal before the output amplifier, meaning the output level can be raised after compression of the signal. [9]
512C Mic/Line Preamp (×2) 550B 4-band EQ (×2) 525 Compressor (×2) Automated Processes, Inc (API) was founded in 1969 by Lou Lindauer and Saul Walker two years after they designed a mixing console for Apostolic Recording Studio, the first 12-track recording studio in New York City.
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