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Where art historian José Camón Aznar had attributed between 787 and 829 paintings to El Greco, Wethey reduced the number to 285 authentic works. Halldor Sœhner, a German researcher of Spanish art, recognized only 137. [7] Both Wethey and Sœhner divided in their catalogues the works in those painted by El Greco and those produced by his ...
Paintings by Doménicos Theotokópoulos (Greek: Δομήνικος Θεοτοκόπουλος), called El Greco ("the Greek", 1541 – April 7, 1614), a Greek-born painter who worked in Crete, Italy and Spain
It is considered by several authors as the masterpiece of the Venetian period of El Greco. Despite containing some Cretan elements acquired during his formal training, [4] this painting can be fully considered a work of the Italian Renaissance. Perspective emphasizes the handling of the anatomy, the application of color and drama of the scene.
El Greco's altarpieces are renowned for their dynamic compositions and startling innovations. Art historian Max Dvořák was the first scholar to connect El Greco's art with Mannerism and Antinaturalism. [34] Modern scholars characterize El Greco's theory as "typically Mannerist" and pinpoint its sources in the Neoplatonism of the Renaissance. [35]
Christ Driving the Money Changers from the Temple is a 1571 Christian art painting by El Greco, now in the Minneapolis Institute of Art. [1] It depicts the Cleansing of the Temple, an event in the Life of Christ.
Paintings by El Greco in the Louvre (3 P) P. Paintings by El Greco in the Museo del Prado (34 P) This page was last edited on 7 August 2023, at 22:11 (UTC). ...
Saint Anthony of Padua (El Greco) Saint Bernardino of Siena (El Greco) Saint James the Great (El Greco) Saint John the Evangelist (El Greco, Madrid) Saint Paul (El Greco) Saint Sebastian (El Greco, 1610–1614) Saint Thomas the Apostle (El Greco) Santo Domingo el Antiguo Altarpiece; The Saviour (El Greco)
It is one of El Greco's most famous works. [1] A document dated July 2, 1577 which refers to this painting is the earliest record of El Greco's presence in Spain. The commission for the painting was secured thanks to El Greco's friendship from Rome with Luis, the son of Diego de Castilla, the dean of the Cathedral of Toledo.
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