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Detail of Time, ceiling mural in lobby of 30 Rockefeller Plaza in New York City, by Josep Maria Sert (1941) There was no section set aside for painting at the 1925 Exposition. Art deco painting was by definition decorative, designed to decorate a room or work of architecture, so few painters worked exclusively in the style, but two painters are ...
The tops of the lobby walls contain decorative entablatures. [45] The ceiling has a bronze elliptical arched vault reaching the height of the third floor. [37] [45] Within the arched vault is a gable-shaped skylight measuring 40 by 60 feet (12 by 18 m). [18] The hallways on the first floor contain marble walls and multicolored patterned marble ...
Other decorative elements include skylights, floor tiles, brick walls, and trellises covered with vegetation. [40] Next to the lobby is the El Quijote restaurant, [43] which has occupied the hotel since 1955. [44] The restaurant is decorated with a marble terrazzo floor, a rough-hewn ceiling, [40] red-vinyl dining booths, and chandeliers. [45]
His 1930 showroom design for a British dressmaking firm had a silver-grey background and black mirrored-glass wall panels. [37] [40] Black and white was also a very popular color scheme during the 1920s and 1930s. Black and white checkerboard tiles, floors and wallpapers were very trendy at the time. [41]
Tin ceiling in a private music room, Queensland, Australia, 1906. Tin ceilings were traditionally painted white to give the appearance of hand-carved or molded plaster. They were incorporated into residential living rooms and parlors as well as schools, hospitals and commercial businesses where painted tin was often used as wainscoting.
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