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The original author of the music may be Josef Mysliveček. A slightly different version of the aria appears with the text "Il caro mio bene" in a manuscript of Mysliveček's Armida (1779). Cesare Olivieri, Il trionfo della pace [1] between 1772 and 1775 178: 417e "Ah, spiegarti, oh Dio" (Score/Crit. report) Aria for soprano and orchestra (piano ...
La Bonne Chanson, Op. 61, by Gabriel Fauré, is a song cycle of nine mélodies for voice and piano. He composed it during 1892–94; in 1898 he created a version for voice, piano and string quintet. [1] The cycle is based on nine of the poems from the collection of the same name by Paul Verlaine. [2]
Liederkreis, Op. 39, is a song cycle composed by Robert Schumann.Its poetry is taken from Joseph von Eichendorff's collection entitled Intermezzo.Schumann wrote two cycles of this name – the other being his Opus 24, to texts by Heinrich Heine – so this work is also known as the Eichendorff Liederkreis.
Six Songs from A Shropshire Lad; The Song and The Slogan; Song cycles (Waterhouse) A Song for the Lord Mayor's Table; Songfest: A Cycle of American Poems for Six Singers and Orchestra; Songs and Proverbs of William Blake; Songs from the Chinese; Songs of a Wayfarer; Songs of the Fleet; Songs of the Sea (Stanford) Songs of Travel; Songs Sacred ...
An example of a classical strict canon is the Minuet of Haydn's String Quartet in D Minor, Op. 76, No. 2. [12] "Throughout its sinewy length, between upper and lower strings. Throughout its sinewy length, between upper and lower strings.
The music critic Stephen Banfield has written, "in some ways this is Finzi’s richest score". The cycle contains two of Finzi's best-known songs in "Rollicum-Rorum" [a] and "To Lizbie Browne"; which the composer himself described as "the two worst in the set" - "an opinion which says more about Finzi’s introvert character than his artistic judgement".
The William Tell Overture is the overture to the opera William Tell (original French title Guillaume Tell), composed by Gioachino Rossini. William Tell premiered in 1829 and was the last of Rossini's 39 operas, after which he went into semi-retirement (he continued to compose cantatas, sacred music and secular vocal music).
The songs were composed over the period June 1906 to January 1910. [1] " Crépuscule" came first, in June 1906; [ 2 ] its origin was as a re-setting of the music of "Mélisande's Song". [ 4 ] The latter, an 1898 setting for voice of "La chanson de Mélisande" from Act 3 of Fauré's Pelléas et Mélisande , was his only setting of a text in ...