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The Snake Charmer is a .410 bore, stainless steel, single-shot, break-action shotgun, with an exposed hammer, an 18-1/8" barrel, black molded plastic stock and forend (aka "furniture"), and a short thumb-hole butt-stock that holds four additional 2-1/2" shotgun shells.
A biography of Slowinski titled The Snake Charmer was written in 2008 by Jamie James. Three species have been named after Slowinski: a species of North American corn snake (Pantherophis slowinskii), [2] a species of bent-toed gecko native to Myanmar (Cyrtodactylus slowinskii), and a species of krait native to Vietnam (Bungarus slowinskii). [3]
The Snake Charmer is an oil-on-canvas painting by French artist Jean-Léon Gérôme produced around 1879. [1] After it was used on the cover of Edward Said's book Orientalism in 1978, the work "attained a level of notoriety matched by few Orientalist paintings," [2] as it became a lightning-rod for criticism of Orientalism in general and Orientalist painting in particular, although Said ...
The Snake Charmer (French: La Charmeuse de Serpents) is a 1907 oil-on-canvas painting by French Naïve artist Henri Rousseau (1844–1910). It is a depiction of a woman with glowing eyes playing a flute in the moonlight by the edge of a dark jungle with a snake extending toward her from a nearby tree.
Snake charmer in Jaipur (India) in 2007 Snake charming is the practice of appearing to hypnotize a snake (often a cobra ) by playing and waving around an instrument called a pungi . A typical performance may also include handling the snakes or performing other seemingly dangerous acts, as well as other street performance staples, like juggling ...
Nala Damajanti was the stage name of a late 19th-century snake charmer who toured with P.T. Barnum's circus and performed at the famed Folies Bergère in Paris. French sources identify her as Emilie Poupon (1861–1944), born in Nantey, Jura Department, France.
Ali Khan Samsudin, (January 3, 1958 – December 1, 2006 in Kuala Lumpur) was a snake charmer known as Malaysia's "Snake King". He earned the title after living with 400 cobras, for 12 hours a day for 40 days, in a small room in the early 1990s.
The Snake Charmer (Le Charmeur de Serpent), painted by Gérôme in 1879. Gérôme uses his depiction of dilapidated tiles to hint at a civilization past its prime. In this earlier painting, Gérôme also depicts the performance of the nude boy charming the snake to comment on the fallen morality of the East as well.