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In a South Island account, Tinirau, mounted on Tutunui, meets Kae, who is in a canoe. Kae borrows Tutunui, and Tinirau goes on his way to find Hine-te-iwaiwa, travelling on a large nautilus that he borrows from his friend Tautini. When Tinirau smells the south wind he knows that his whale is being roasted (Tregear 1891:110).
Hine-te-Iwaiwa married Tangaroa and had Tangaroa-a-kiukiu, Tangaroa-a-roto, and Rona. Tangaroa-a-roto and Rona married Te Marama the moon. Hinetakurua married Tama-nui-te-ra, the Sun. [2] Uru-Te-ngangana is believed to be the father of all light, and his children are stars, sun and moon.
While Hine-nui-te-pō is asleep, Māui undresses himself ready to enter himself into the goddess. The birds who were nearby, fantails, burst into laughter, alerting Hine-nui-te-po. Hine-nui-te-po reacted by crushing him with the obsidian teeth in her vagina; Māui was the first man to die. The problematic themes of rape in this legend are ...
Hineahuone ("Earth made Woman") is the first woman in Māori Mythology made by Tāne from the clay native to the mythological location of Kurawaka. [1] She bore a child with Tāne named Hinetītama (otherwise known as Hinenui-i-te-pō). [2
Whaitiri, a granddaughter of Māui, marries Kaitangata and has Hemā. Hemā marries Rawhita-i-te-rangi, and has Tāwhaki and his younger brother Karihi. Tāwhaki and Karihi set off to find their grandmother Whaitiri. They come to a village where a kawa (open ceremony) is being performed for Hine-te-kawa's house. They hide in the walls of the ...
The South Island's earliest iwi, Waitaha, traces its ancestors back to the Uruaokapuarangi, captained by Rākaihautū who sailed from Te Patunuioāio to New Zealand with the tohunga kōkōrangi Matiti's advice, and in mythology was credited with digging many of the island's great lakes and waterways. [27]
Goddesses in Māori mythology. Pages in category "Māori goddesses" The following 10 pages are in this category, out of 10 total. ... Hine-kau-ataata; Hine-nui-te-pō ...
Its original creator was Hine-rau-wharangi (the daughter of Hine-nui-te-po and Tāne), who would provide the pattern to Niwareka, who would then create it for humanity. The cloak itself was developed primarily as a replacement and “ consummation of Mataora’s acceptance of tattoo from the underworld” to substitute the now obsolete artform ...