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Pablo Amorsolo y Cueto was born in Daet, Camarines Norte to husband and wife Pedro Amorsolo, a book keeper, and Bonifacia Cueto y Vélez. When he was eight years old, his family moved to Manila. [2] During World War II, Amorsolo engaged in partisan activities under the Japanese regime and was said to have gained the rank of Colonel under the ...
Starting in 1941, the museum acquired the works of Filipino masters such as Fernando and Pablo Amorsolo, Carlos Francisco, Vicente Manansala, and Galo Ocampo. The museum has permanent displays for specimens of natural history, ethnographic materials, Oriental art objects, Philippine religious images, paintings, and Coins, Medals, and ...
Fernando Amorsolo y Cueto (May 30, 1892 – April 24, 1972) was a portraitist and painter of rural Philippine landscapes. Nicknamed the "Grand Old Man of Philippine Art," [2] he was the first-ever to be recognized as a National Artist of the Philippines. [3]
Amorsolo, Fernando (1892–1972) Amorsolo, Pablo (1898–1945) Ancheta, Isidro (1882–1946) Antonio, Angelito (born 1939) Antonio, Marcel (born 1965)
Fabián de la Rosa, the mentor and uncle of Fernando Amorsolo and his brother Pablo Amorsolo (1898–1945) had his own technique of painting women. De la Rosa painted a group of Women Working in a Rice Field in 1902 and his portrait of a Young Filipina in 1928. Pablo Amorsolo himself painted his own rendition of a female Fruit Vendor (undated).
Don Fabián de la Rosa y Cueto (May 5, 1869 – December 14, 1937) was a Filipino painter. He was the uncle and mentor to the Philippines' national artist in painting, Fernando Amorsolo, and to his brother Pablo. [1]
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